
Hats should be worn one at a time, most of the time.
This is the lame metaphor I came up with—wow, has it been 13 weeks already??—last December when I jumped into the beginning of this project. Although I was prepared for the task, I could not help but succumb to the flooding of worries that come with independent filmmaking. Independent, as in, not “indie”-fresh-and-hip-and-cool, but as in thoroughly on your own. I found myself suddenly wearing all the hats of filmmaking: cinematographer, camerawoman, director, assistant, lighter, sound woman, editor, grip, etc.
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showing how i really feel, with my furry friend, deadcat |
There is certainly no rest when it comes to playing all these roles at once. I barely slept the night before my first interview shoot: I spent the whole night trying to decide between 24fps and 30fps, believing that the wrong choice would be the death of me. I was most worried about lighting and focus and being able to act comfortable and natural to my sensitive interview subjects while simultaneously monitoring my new, unfamiliar camera and sound equipment.
I took a deep breath and stepped into my first interview shoot. It was a biggie; it was the one in the mountain side with my foster mountain grandparents (or mtn.grandparents as I refer to them in my film logs). I felt completely unorganized and even a little foolish, as if I were an unworthy
Sisyphus and the project was a crumbling rock falling from my shoulders.
Fortunately, as I have learned many times over,
taking a deep breath and letting yourself fall into your passions can be quite rewarding. We all have our self-doubts and some moments the doubts are bigger. But our subconscious expertise is always buried somewhere within ourselves.
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an interview in action |
That being said, the first interviews went well and paved way for the rest of my footage-gathering. The process never got easier, and in the midst of forgotten tripods, batteries, headphones, camera-shy subjects, painful memories, and limited memory cards (not to mention learning the difference between Class 10 and Class 4 SD cards in the middle of an interview at the top of a mountain…) I never really stopped worrying the night or the moment before filming anything. However, as I grew accustomed to the finicky and
never-quite-certain process that comes with tackling a project like this alone, filming finally became the exciting adventure I hoped it would.
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one of many makeshift "sets", a typical sight |
Filming was my reason to wander out to a mountain top at sunrise. Filming was my reason to step dangerously close to creeks. Filming was my reason to come all the way out here in pursuit of a story.
Despite the fact that I have a long road of scripting and editing and animating ahead of me (and as I have discovered, the only thing worse than having to review all this footage is knowing you did it all when 50% of it is junk), learning about myself for the first time as a real-world filmmaker has been quite a revelatory experience. After all, you discover quite a bit about yourself and how much you like to talk and sing to yourself when you leave cameras and recorders on by accident.
A quotation that really spoke to me during a film class goes something like this: “[with the introduction of sound in cinema]
we’ve lost a lot of freedom in camera movement.” Surprisingly, this quotation stuck with me a lot on filming days as I hobbled around foreign lands with my tripod, feeling as though I had found again the freedom in cinematography. As crippling as being alone in pursuit of a dream sometimes is,
there is an unimaginable glee that washes over the internal sea of doubt with the knowledge that, perhaps even for a moment, you have found your solace.
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wear as many hats as you'd like! |